Microphone Cable - Adam...
3 STAR MFP 0100
Unbalanced signal cable with a 6.3 millimetre TRS plug and a female XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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3 STAR MFP 0100
Unbalanced signal cable with a 6.3 millimetre TRS plug and a female XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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4 STAR MMF 0150 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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Counterpart to K4YWFF but with male XLR plugs. This cable is used, for example, to connect modern signal sources such as MP3 players to the inputs of the mixing desk. High-quality cable material and REAN © plugs.
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Balanced microphone or signal cable, equipped, like all cables in the K4MFP series, with female XLR plugs and 6.3 mm TRS stereo plugs by REAN © - making it the ideal choice for transmitting microphone signals to the board. The highly flexible cable has a braided shield and thus guarantees interference-free signal transmission.
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3 STAR BMV 0100
Counterpart of the K3BFV microphone cable, balanced conductor routing, this time with a 6.3 millimetre TRS plug and a male XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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Customise and personalise your cable ties!
You can order Adam Hall cable ties with your individual imprint on the tongue.
Choose between economy printing in black or white and attractive high quality multicolour transfer printing.
We also offer full customisation for larger quantities, e.g. cable ties with your custom dimensions and tongue colours.
Please contact your sales representative or sales@adamhall.com for more information.
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Sound enigeers little helper, such as our 4 STAR AT RF2 RF2 are indispensable for every adapter case. You will be happy to have one if you need a gender-changer all of a sudden.
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4 STAR C XM3 A
Sometimes it just has to be angled... Our XLR connectors from the 4 Star series are not only available in many different colours, but also in an angled version. Perfectly suited for little space, e.g. in the rack, in the case or on the pedalboard. The 4 STAR C XM3 A is suitable for symmetrical cables with a diameter of 5 - 7 mm.
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4 STAR TCC 0090
RCA stereo cable for unbalanced connection of signal sources and other external devices. A rugged jacket, spiral shielding, and gold-plated REAN © plugs result in a high-quality connection cable.
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3 STAR DHM 0020
Highly flexible DMX adapter cable with three-pin and five-pin XLR plugs.
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4 STAR MMF 0100 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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4 STAR YWCC 0600
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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5 STAR BFV 0500
Balanced cable, equipped, like all cables in the K5MFP series, with female XLR plugs and 6.3 mm TRS stereo plugs _ making it the ideal choice for transmitting microphone signals to the board. Of course, these cables, too, are made using NEUTRIK © plugs and high-quality, highly flexible cable.
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4 STAR MMF 0050 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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4 STAR YWCC 0150
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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4 STAR MMF 0500 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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Lockable 4 pole speakON adapter
Links two NL2/4F*s together for cable extension. Changes gender to male when permanently locked on the cable.
Features permanent secure connection on a speakON cable connector using 2nd lock. Can be permanently attached to NL2/4F*.
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5 STAR MMP 1000
Unbalanced line cable with TRS and XLR male plugs for onstage and studio signal transmission. Made using superior cable material and first class Neutrik © plugs.
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4 STAR YWCC 0300
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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4 STAR MMP 1000
Unbalanced line cable with TRS and XLR male plugs for onstage signal transmission. Made using high-quality cable material and REAN © plugs.
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4 STAR BMV 0300
Balanced cable with male XLR plug and 6.3 mm stereo TRS plug by REAN ©; the cable material is as flexible as it is rugged and has perfect audio characteristics thanks to tightly braided shielding. Practical for live use.
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3 STAR BMV 0600
Counterpart of the K3BFV microphone cable, balanced conductor routing, this time with a 6.3 millimetre TRS plug and a male XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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3 STAR BFV 1000
Balanced signal cable with a 6.3 millimetre TRS plug and a female XLR plug, thus suitable for transmission of sensitive microphone signals to the mixing desk or amplifier. Uses original Adam Hall plugs and high-quality cable material.
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4 STAR BMV 0060
Balanced cable with male XLR plug and 6.3 mm stereo TRS plug by REAN ©; the cable material is as flexible as it is rugged and has perfect audio characteristics thanks to tightly braided shielding. Practical for live use.
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Reliable power supply for a variety of cold appliances in the commercial as well as private sector. This cold appliance cable is designed for this purpose and supplies power not only to event equipment but also to TV monitors, computers, beamers, projectors and other equipment that should not generate any significant heat during operation.
With a 3 x 1.5 mm² inner conductor cross-section in different lengths, you can quickly find the right extension cable and supply your equipment with the necessary power to get your stage show ready.
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The standard for connecting loudspeakers. A true classic if it comes to speaker connectors that need to be compatible with speakON sockets. Screwable and solderable.
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Customise and personalise your cable ties!
You can order Adam Hall cable ties with your individual imprint on the tongue.
Choose between economy printing in black or white and attractive high quality multicolour transfer printing.
We also offer full customisation for larger quantities, e.g. cable ties with your custom dimensions and tongue colours.
Please contact your sales representative or sales@adamhall.com for more information.
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The dummyPLUG NDF for Neutrik female XLR receptacles enable you to simplify cabling. Unused inputs can be covered to avoid miss wiring and protect against dust additionally.
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Customise and personalise your cable ties!
You can order Adam Hall cable ties with your individual imprint on the tongue.
Choose between economy printing in black or white and attractive high quality multicolour transfer printing.
We also offer full customisation for larger quantities, e.g. cable ties with your custom dimensions and tongue colours.
Please contact your sales representative or sales@adamhall.com for more information.
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Specially manufactured for a long service life, our 4 STAR L 825 is the standard cable with 8 x 2.5 mm² inner conductor cross-section. Thanks to its fine-stranded inner conductor structure and the soft PVC sheath with a diameter of only 14 mm, it is very flexible and easy to drum. Our 4 STAR L 825 is also suitable for permanent installations.
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Specially manufactured for a long service life, our 4 STAR L 825 is the standard cable with 8 x 2.5 mm² inner conductor cross-section. Thanks to its fine-stranded inner conductor structure and the soft PVC sheath with a diameter of only 14 mm, it is very flexible and easy to drum. Our 4 STAR L 825 is also suitable for permanent installations.
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Specially manufactured for a long service life, our 4 STAR L 825 is the standard cable with 8 x 2.5 mm² inner conductor cross-section. Thanks to its fine-stranded inner conductor structure and the soft PVC sheath with a diameter of only 14 mm, it is very flexible and easy to drum.
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If you are looking for a good speaker cable with 4 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L440 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust. This cable is available as 100m, 50m, 25m or 10m version.
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If you are looking for a good speaker cable with 4 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L440 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust. This cable is available as 100m, 50m, 25m or 10m version.
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If you are looking for a good speaker cable with 4 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L440 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust. This cable is available as 100m, 50m, 25m or 10m version.
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To extend a speakON cable, you need a straight-through adapter, as the two ends of the cable always consist of female connectors and it is not possible to plug them together as with XLR cables, for example. For this purpose, you can get the NL8MMXX from Neutrik (R), for example. The adapter is made of sturdy die-cast zinc and comes with two male sockets and is only suitable for 8-pole speakON. This adapter is also available for the 4-pole version.
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Everybody knows the pain: Suddenly you have to extend your speaker cable. Lengthen a Standard Speaker Connector and speakON cable is roughly as compatible as extending jack cables: actually not at all! With our K4 A SM4 SM4 you have the right buddy with you doing the job.
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If you are looking for a good speaker cable with 8 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L840 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust.
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If you are looking for a good speaker cable with 8 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L840 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust.
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If you are looking for a good speaker cable with 8 x 4.0 mm² OFC (Oxygen Free Copper) inner conductors, the K4L840 is a very good choice. It not only impresses with its well-insulated and numbered cores, but also guarantees good flexibility and is very robust.
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High-quality stereo audio cable with moulded 3,5 mm stereo jack plugs.Equally suitable for studio or ambitious hi-fi applications.
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WB 431 B
This large heavy steel base for M20 poles provides a firm footing and three female threads that allow you to mount extra weights off centre. Two integrated handles facilitate transport while felt- covered feet prevent scratches and marks on the floor.
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XSP 1057
Additional clip to expand the Gravity VARI®-G guitar stand series
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WB 123 WPB
Adding 5 kg extra weight for increased stability this cast iron plate installs to our speaker pole base part no. GWB123B without the need for tools.
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In the past, if you wanted to produce music, videos or other content professionally, you had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums are recorded either at home or spontaneously on the road. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.
With the VARI®-ARM M 14, Gravity® has created such an universal tool that allows you to use a wide variety of equipment - from an action cam to a mobile recorder - almost anywhere and in any direction in a matter of seconds.
The VARI®-ARM M 14 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. Its main feature: Only one adjusting screw is needed to lock and unlock all three joints. As soon as you have found your desired position, you tighten the locking screw and the position of the VARI®-ARM M 14 is held tight and safe.
Both ends of the VARI®-ARM M 14 have 1/4" threads on which you can attach almost any camera, handheld recorder or smartphone holder on the market. You can then screw the VARI®-ARM to a Super Clamp with a 1/4" mount and fix your equipment to a truss in the studio or on stage.
As a universal tool for your creative purposes, there are hardly any limits to the VARI®-ARM M 14's usability.
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In the past, if you wanted to produce music, videos or other content professionally, you had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums are recorded either at home or spontaneously on the road. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.
With the VARI®-ARM L TV, Gravity® has created such an universal tool that allows you to use a wide variety of equipment - from microphone clamps to super clamps and lighting equipment - almost anywhere and in any direction in a matter of seconds.
The VARI®-ARM L TV is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. Its main feature: Only one adjusting screw is needed to lock and unlock all three joints. As soon as you have found your desired position, you tighten the locking screw and the position of the VARI®-ARM L TV is held tight and safe.
Perfect for truss mountingBoth ends of the VARI®-ARM L TV have a 16 mm TV spigot for attaching the VARI®-ARM to a Super Clamp. You can unscrew the two TV16 spigots. This frees up a 1/4" thread to which you can attach a microphone clamp, pop filter and more.
As a universal tool for your creative purposes, there are hardly any limits to the VARI®-ARM L TV's usability.
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In the past, if you wanted to produce music, videos or other content professionally, you had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums are recorded either at home or spontaneously on the road. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.
With the VARI®-ARM M 38, Gravity® has created such an universal tool that allows you to use a wide variety of equipment - from a microphone clamp to a tablet or an action cam - almost anywhere and in any direction in a matter of seconds.
The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. Its main feature: Only one adjusting screw is needed to lock and unlock all three joints. As soon as you have found your desired position, you tighten the locking screw and the position of the VARI®-ARM M 38 is held tight and safe. Thanks to the 3-kilogram load capacity, you can even mount a DSLM camera including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.
There is a 3/8" thread at the head of the VARI®-ARM for you to screw on a microphone clip, a pop filter and more. The included adapter (3/8" to 1/4" reduction thread) gives you complete flexibility, allowing you to use almost any camera, handheld recorder or smartphone mount on the market with the VARI®- ARM M 38. Thanks to the solid clamp at the bottom of the VARI®-ARM and its large clamping range from 15 to 35 mm, the VARI®-ARM can also be easily attached to most tables and poles (e.g. to tripods). The clamp can also be unscrewed to reveal a 3/8" thread for mounting the VARI®-ARM onto other equipment.
As a universal tool for your creative purposes, there are hardly any limits to the VARI®-ARM M 38's usability.
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In the past, if you wanted to produce music, videos or other content professionally, you had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums are recorded either at home or spontaneously on the road. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.
With the VARI®-ARM L 38, Gravity® has created such an universal tool that allows you to use a wide variety of equipment - from a microphone clamp to a tablet or an action cam - almost anywhere and in any direction in a matter of seconds.
The VARI®-ARM L 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position.
Its main feature:Only one adjusting screw is needed to lock and unlock all three joints. As soon as you have found your desired position, you tighten the locking screw and the position of the VARI®-ARM L 38 is held tight and safe. The included adapter (3/8" to 1/4" reduction thread) gives you complete flexibility, allowing you to use almost any camera, handheld recorder or smartphone mount on the market with the VARI®- ARM L 38.
Thanks to the solid clamp at the bottom of the VARI®-ARM and its large clamping range from 15 to 35 mm, the VARI®-ARM can also be easily attached to most tables and poles (e.g. to tripods). The clamp can also be unscrewed to reveal a 3/8" thread for mounting the VARI®-ARM onto other equipment.
As a universal tool for your creative purposes, there are hardly any limits to the VARI®-ARM L 38's usability.
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XSP 10130
Small helpers - big impact. With the XSP 10130 rack brackets, you can use your Gravity® DJ Desk in an even more versatile and comfortable way. Whether you want to add 19'' equipment to your studio centre, attach a rack drawer for accessories or simply place a power strip firmly and securely within reach, the Gravity® rack brackets offer a multitude of possible applications.
The robust brackets are made of powder-coated steel and are quickly and easily mounted to the rear rail of the FDJ T 01 DJ table via locking screws. As they are two individual brackets, you can adjust the width and positioning as required. The mounting is done via the integrated cage nuts.
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SA SM IF 01
Those who do not place their studio monitors on a table surface, but use dedicated stands and mounts for monitoring in their own studio, are already doing a lot of things correct. Nevertheless, studio monitors also generate oscillations and vibrations here, which are transferred to the supporting surface and can thus impair the stereo image of the speakers. Usually, the larger the surface, the more energy transfer takes place. With the SA SM IF 01 absorber pucks, Gravity has a solution ready that can have a big impact with small means.
The Gravity Absorber pucks can be placed freely under a loudspeaker (e.g. studio monitor) and achieve a decoupling of the loudspeaker cabinet and the installation surface due to their silica gel surface. This significantly reduces vibrations and oscillations and makes the stereo image more precise by reducing acoustic smearing and discolouration.
The load capacity is 36 kg when using four Gravity SASMIF01 absorber pucks, which means that most speakers on the market can be used without any problems.
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Creativity has no limits, but workspace certainly does. A place where you can unfold without limits is the Gravity® FDJT 01 DJ Desk. On it you keep your set-up compact and always ready for the moment when inspiration strikes.
The DJ Desk offers enough space to place two decks and a mixing console or your DJ controller. Your performance setup with samplers, sequencers and synthesizers will also find enough room thanks to a surface depth of 50 cm and a width of 119 cm.
In case you need additional space, simply expand the Gravity® DJ Desk with an optionally available laptop holder or two studio monitor holders. The rear rail also offers further flexible expansion options that are tailored to your individual needs as a DJ, producer or instrumentalist.
You will have no trouble adapting the desk to your individual height. It can be set between 68 cm and 109 cm
More stability is provided by the adjustable levelling feet, which compensate for any unevenness of the floor, and the mountable cross bar, which significantly strengthens the table.
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Creativity has no limits, but workspace certainly does. A place where you can unfold without limits is the Gravity® FDJT 01 DJ desk. On it you keep your set-up compact and always ready for the moment when inspiration strikes.
Your trusty monitors can be placed on the height-adjustable, 360° rotatable and 15° tiltable trays. The precise positioning and inclination of your loudspeakers is made much easier for you by a precise scale on the tubes.
Your laptop is enthroned at the heart of your set-up in the middle of the table, held firmly in place by the integrated pins so that even if tilted extremely, it is always secure. Both loudspeaker and laptop trays can be adjusted precisely along the rear rail of the Gravity® FDJT 01 DJ Desk by shifting them to the left or right.
You will have no trouble adapting the desk to your individual height. It can be set between 680 mm and 1090 mm and offers you plenty of space for your equipment - with a usable depth of 500 mm and a width of 1190 mm.
More stability is provided by the adjustable levelling feet, which compensate for any unevenness of the floor, and the mountable cross bar, which significantly strengthens the table.
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Designed to support the proper posture for playing classical guitar, this Gravity footrest offers 6 adjustable height levels from 18 to 255 mm to perfectly adapt to any player. The rubber tipped feet are angled outwards to increase stability and prevent tipping over, and the extra wide construction with non-slip rubber pad provides a secure grip of any foot.
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XW GLOVE L
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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XW GLOVE XL
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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XW GLOVE M
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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With the Rapid Desk extension CART L 01 AC 1, you can transform your CART L 01 B together with the Rapid Desk (KS RD 1) into a stable, mobile work surface in no time at all.
The extension is made of powder-coated steel and - like all Gravity® stands - extremely stable and robust. In combination with the Rapid Desk (KS RD 1), a generous maximum load capacity of up to 50 kg is achieved on the top tier. On the lower tier, up to 120 kg can be transported.
For assembly, the screwed supports are simply inserted into the recesses in the middle of the Rapid Desk, the trolley is unfolded and extended to the now maximum possible dimension. No further fastening or screwing of the support is necessary.
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CART L 01 BEasy work with heavy equipment
Sound technicians, DJs and stagehands: Take the weight off your load with a multi-functional cart. The Gravity Cart L 01 B chassis is made of steel to ensure stability. Two fixed and two rotating low-rolling resistance, anti-slip tyres provide extra maneuverability even for higher curbs or rough terrain.
The Gravity Cart is your trusty companion before and after every show. And the best thing: The light-weight, compact-folded, multi-functional cart lifts easily from the tour bus while also performing effortlessly when fully loaded with equipment. With its up to 1.35 m extendable chassis and 170 kg load capacity, your equipment is quickly and safely transported to and from the stage.
And thanks to its optimal ergonomic design: without straining your back.
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The BG CART M1 wagon bag is a practical solution for carrying smaller items of equipment with the Gravity® CART M 01 B.
Made from robust, water-repellent 1680D nylon, it provides protection and stability for your equipment. The simple assembly allows for easy attachment to the handles of the Gravity® CART Medium. The adjustable straps allow the length of the bag to be adapted to the set length of the CART, so that the bag remains flexible and foldable even after assembly.
The Gravity® BG CART M1 wagon bag is robust, flexible and simply practical - an indispensable aid for transporting equipment.
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Vægt (Emb.) | 60g |
Rumfang (Emb.) | 0.00074025 |
Bredde (Emb.) | 94mm |
Længde (Emb.) | 225mm |
Højde (Emb.) | 35mm |
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