Guitel Swivel Castor 100 mm...
37023100 mm Swivel Castor "Guitel Blue Wheel"
- double ball race
- 2.4 mm Steel frame and plate zinc plated
- blue Resilex tyre on roller race hub bearing
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37023100 mm Swivel Castor "Guitel Blue Wheel"
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4 STAR MMF 0250 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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BG KS 1 B
This lightweight carry bag protects your keyboard stand from dust and scratches during transport and storage. It is made of durable, water-repellent neoprene fabric and features a rugged two-way zipper for easy access.
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3 STAR PKD 0500
Reliable power supply for a variety of cold appliances in the commercial as well as private sector. This cold appliance cable is precisely designed for this purpose and supplies power not only to event technology equipment but also, for example, to TV monitors, computers, beamers, projectors and equipment that should not generate any significant heat during operation.
With a 3 x 0.75 mm² inner conductor cross-section in different lengths, you can quickly find the right power cable and supply your equipment with the necessary power to get your stage show ready.
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HEAVY FLUID 10 L
The Cameo Heavy Fluid is formulated for all common fog machines and creates a particularly dense and long lasting white fog. It is immediately ready to use, odourless and due to its excellent reflective capability, ideal for spectacular light and laser shows.
The Cameo Heavy Fluid is manufactured in Germany under constant quality control . It is safe and non-toxic ; the appropriate certificate and a DIN safety data sheet are available for download. The container can be reused.
The water used in the manufacturing process of the fluids is distilled 10 times and thus guarantees that the fluids in use hardly contain any residues.
Available upon request as a 220 litre keg with tap.
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DJ FLUID 5 L
The Cameo DJ Fluid is formulated for professional fog machines and immediately ready for use. It generates a medium fog density with medium standing time, and benefits from its ability to reflect sophisticated lighting designs.
The Cameo DJ Fluid made in Germany is odourless, non-toxic and biodegradable; the DIN safety data sheet and a compliance certificate are available for download. Its quality is continuously monitored; the container is reusable.
The water used in the manufacturing process of the fluids is distilled 10 times and thus guarantees that the fluids in use hardly contain any residues.
Available upon request as a 220 litre keg with tap.
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4 STAR YWPP 0300
Counterpart to the K4YVPP, but with one 3.5 mm stereo TRS plug and two 6.3 mm mono TRS plugs - and thus ideal for connecting MP3 players or other, external sound sourced to the line inputs of a mixing desk.
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4 STAR BMV 0600
Balanced cable with male XLR plug and 6.3 mm stereo TRS plug by REAN ©; the cable material is as flexible as it is rugged and has perfect audio characteristics thanks to tightly braided shielding. Practical for live use.
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3 STAR MIDI 0300 BLU
Studio- and stage-ready MIDI cable for use with keyboards, expanders or other MIDI equipment. A length of 3 metres make it easy to bridge even extended distances between various MIDI devices. The four available colours (black, blue, green, red) provide for a clear arrangement onstage or in the studio. Moulded-on plugs with additional strain relief at both ends protect the sensitive transition between cable and plug.
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3 STAR MFP 0100
Unbalanced signal cable with a 6.3 millimetre TRS plug and a female XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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37024100 mm Swivel Castor "Guitel Blue Wheel"
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4 STAR MMF 0150 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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3 STAR BMV 0100
Counterpart of the K3BFV microphone cable, balanced conductor routing, this time with a 6.3 millimetre TRS plug and a male XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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4 STAR TCC 0090
RCA stereo cable for unbalanced connection of signal sources and other external devices. A rugged jacket, spiral shielding, and gold-plated REAN © plugs result in a high-quality connection cable.
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4 STAR MMF 0100 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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4 STAR YWCC 0600
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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5 STAR BFV 0500
Balanced cable, equipped, like all cables in the K5MFP series, with female XLR plugs and 6.3 mm TRS stereo plugs _ making it the ideal choice for transmitting microphone signals to the board. Of course, these cables, too, are made using NEUTRIK © plugs and high-quality, highly flexible cable.
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4 STAR MMF 0050 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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4 STAR YWCC 0150
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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5 STAR MMP 1000
Unbalanced line cable with TRS and XLR male plugs for onstage and studio signal transmission. Made using superior cable material and first class Neutrik © plugs.
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4 STAR MMF 0500 KRYSTAL
This OCC cable made especially for Adam Hall is impressive because of the extremely high degree of purity of the copper structure. In comparison with standard OFC copper cables, this physical property is attained by using larger crystals. The Adam Hall Krystal OCC microphone cable has 2 x 0.22 mm² inner conductors and braided shielding (shielding > 98%). With an external diameter of 6.5 mm, it is impressively robust while offering maximum flexibility.
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4 STAR YWCC 0300
Audio cable equipped with a 3.5 mm stereo TRS plug and two gold-plated cinch / RCA plugs for optimum transmission. Connects modern signal sources such as MP3 players to the DJ or live mixing desk without additional adapters.
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4 STAR MMP 1000
Unbalanced line cable with TRS and XLR male plugs for onstage signal transmission. Made using high-quality cable material and REAN © plugs.
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4 STAR BMV 0300
Balanced cable with male XLR plug and 6.3 mm stereo TRS plug by REAN ©; the cable material is as flexible as it is rugged and has perfect audio characteristics thanks to tightly braided shielding. Practical for live use.
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3 STAR BMV 0600
Counterpart of the K3BFV microphone cable, balanced conductor routing, this time with a 6.3 millimetre TRS plug and a male XLR plug. Uses original Adam Hall plugs and high-quality cable material.
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3 STAR BFV 1000
Balanced signal cable with a 6.3 millimetre TRS plug and a female XLR plug, thus suitable for transmission of sensitive microphone signals to the mixing desk or amplifier. Uses original Adam Hall plugs and high-quality cable material.
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4 STAR BMV 0060
Balanced cable with male XLR plug and 6.3 mm stereo TRS plug by REAN ©; the cable material is as flexible as it is rugged and has perfect audio characteristics thanks to tightly braided shielding. Practical for live use.
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370350 mm Swivel Castor
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WB 431 B
This large heavy steel base for M20 poles provides a firm footing and three female threads that allow you to mount extra weights off centre. Two integrated handles facilitate transport while felt- covered feet prevent scratches and marks on the floor.
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XSP 1057
Additional clip to expand the Gravity VARI®-G guitar stand series
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WB 123 WPB
Adding 5 kg extra weight for increased stability this cast iron plate installs to our speaker pole base part no. GWB123B without the need for tools.
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XSP 10130
Small helpers - big impact. With the XSP 10130 rack brackets, you can use your Gravity® DJ Desk in an even more versatile and comfortable way. Whether you want to add 19'' equipment to your studio centre, attach a rack drawer for accessories or simply place a power strip firmly and securely within reach, the Gravity® rack brackets offer a multitude of possible applications.
The robust brackets are made of powder-coated steel and are quickly and easily mounted to the rear rail of the FDJ T 01 DJ table via locking screws. As they are two individual brackets, you can adjust the width and positioning as required. The mounting is done via the integrated cage nuts.
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SA SM IF 01
Those who do not place their studio monitors on a table surface, but use dedicated stands and mounts for monitoring in their own studio, are already doing a lot of things correct. Nevertheless, studio monitors also generate oscillations and vibrations here, which are transferred to the supporting surface and can thus impair the stereo image of the speakers. Usually, the larger the surface, the more energy transfer takes place. With the SA SM IF 01 absorber pucks, Gravity has a solution ready that can have a big impact with small means.
The Gravity Absorber pucks can be placed freely under a loudspeaker (e.g. studio monitor) and achieve a decoupling of the loudspeaker cabinet and the installation surface due to their silica gel surface. This significantly reduces vibrations and oscillations and makes the stereo image more precise by reducing acoustic smearing and discolouration.
The load capacity is 36 kg when using four Gravity SASMIF01 absorber pucks, which means that most speakers on the market can be used without any problems.
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37022100 mm Fixed Castor "Guitel Blue Wheel"
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XW GLOVE L
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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XW GLOVE XL
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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XW GLOVE M
Everything today is done digitally: lights, audio and video operate on networks and can be controlled from everywhere and at any time using touchscreens. Hybrid events even sometimes take audiences into the virtual world. Yet no stage in the world can be put up at the touch of a button. The heavy lifting still needs to be done manually. Speakers, spotlights, mixing consoles and many other things still have to be pre-loaded into cases and trucks by hand. And that's why Gravity developed the XW GLOVE working gloves to make the work of anyone who has to turn events into a physical reality: safer, efficient and more comfortable.
The XW GLOVE gloves feature two types of materials: the fingers and palm are made of durable goat leather and the back of the hand of elastic jersey. A good fit is ensured by the rubber band and the velcro fastener. Goat leather sets itself apart from other types of leather because it has no oily residues, helping it to remain soft and be more resilient and tear-resistant than other kinds of leather.
There is also an opening for the thumb and index finger on the XW GLOVE that allows digital applications to be accessed at any time, even when toiling away on the stage and in the warehouse. Apps and remote software on smartphones and tablets required for taking care of daily business in all fields can thus be used quickly and freely without always having to remove your gloves. Carrying out high-precision work by hand is also made easier at the same time: small parts can be grabbed, turned and pulled, tape can be ripped, etc.
The Gravity XW GLOVE gloves are available in black in sizes M, L and XL.
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CART L 01 BEasy work with heavy equipment
Sound technicians, DJs and stagehands: Take the weight off your load with a multi-functional cart. The Gravity Cart L 01 B chassis is made of steel to ensure stability. Two fixed and two rotating low-rolling resistance, anti-slip tyres provide extra maneuverability even for higher curbs or rough terrain.
The Gravity Cart is your trusty companion before and after every show. And the best thing: The light-weight, compact-folded, multi-functional cart lifts easily from the tour bus while also performing effortlessly when fully loaded with equipment. With its up to 1.35 m extendable chassis and 170 kg load capacity, your equipment is quickly and safely transported to and from the stage.
And thanks to its optimal ergonomic design: without straining your back.
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CART M 01 BMakes Light Work of Heavy Equipment
Sound technicians, DJs and stagehands: Take the weight off your load with a multi-functional cart. The Gravity Cart chassis is made of steel to ensure rigidity. Two fixed and two rotating low-rolling resistance, anti-slip rubber tyres provide extra manoeuvrability. The Gravity Cart is your trusty companion before and after every show. And the best thing is: The light-weight, compact-folded, multi-functional cart lifts easily from the tour bus while also performing effortlessly when fully loaded with equipment. With its (up to 1.09 m) extendable chassis and 150 kg load capacity, your equipment is quickly and safely transported to and from the stage. And thanks to its optimal ergonomic design: without straining your back.
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4 STAR TCC 0300
RCA stereo cable for unbalanced connection of signal sources and other external devices. A rugged jacket, spiral shielding, and gold-plated REAN © plugs result in a high-quality connection cable.
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4 STAR MFP 0300
Unbalanced instrument cable for onstage use. Like all cables in the 4-Star series, it is manufactured using high-quality REAN © components and highly flexible cable material. The tightly braided shielding guarantees optimal audio transmission. Practical for live use; the perfect choice for patching or transmission of line signals onstage.
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SF 36 T 28 F L
The SF 36 T 28 F L is an adapter for mounting spotlights with 28 mm TV spigots on 35 mm tubes, making it ideal for lighting- and PA-stands. Thanks to the longer design, the TV spigot can be fully recessed.
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BG SB L 1
Everything has been prepped and the event can begin - then someone accidentally knocks over a stand and the real fun begins. To ensure that valuable pieces of equipment - microphones, speakers, spotlights and more - are stable and secure, the Gravity® portfolio now includes the new BG SB sandbags - individually fillable bags for easy attachment to stand legs. In addition to stage use, the BG SB bags also ensure greater safety in film and photography work - for example when a diffuser or softbox needs to be raised to great height over a C-stand The bags also stabilize equipment when using Content Creator and Videocaster, which for optical reasons work with a long boom arm or a lighter table stand. The Gravity® sandbag keeps you rock steady.
The BG SB sandbags are available in two versions: SMALL for mic stands and LARGE for C-stands and loudspeaker and lighting stands. Handling the bags is as easy as it is effective. Each bag has two inner bags that can be filled with sand, gravel or other materials as desired - and fit perfectly into the two recesses. The BG SB sandbag is then simply set down on the stand base or leg to hold the stand down firmly and reliably. The carrying handles offer additional comfort so that the bags can be gripped and repositioned with one hand.
To ensure that potentially heavily filled bags do not slide down on steep stand legs, they have a special non-slip mesh surface on the underside. In this way, the BG SB can be quickly and easily attached, removed and set back down again during hectic changeovers. (Velcro fasteners and straps are not necessary to fasten the bag to the stand leg). If strong winds are an issue, you can use the integrated metal eyelets on the corners to securely connect the bags to the stand using cable ties or rope.
For worry-free use on open-air stages and restaurant terraces, or for outdoor film shoots, the BG SB features a water-repellent outer material made of 1680D nylon, which makes sure that the sand or gravel inside do not become moist.
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MS STB 01 PRO
Enabling accurate and easily repeatable two-microphone stereo recording arrays, the Gravity Stereo Bar is a real precision instrument. It allows for exact spacing of the sliding microphone mounts from 6 to 29 cm, +/- 90° microphone orientation on the horizontal axis and +/- 90° tilt of the entire bar. Easy-to-read spacing and angle markings facilitate fast and precise positioning, taking notes of your settings and recreating them without effort. Set screws with ergonomic soft-touch knobs securely lock the adjustable parts in the desired position.
The Gravity Stereo Mic Bar is suitable for common stereo recording techniques including ORTF, DIN, XY and AB patterns and mounts on any mic stand. It is engineered from strong yet lightweight aluminum and easily able to support two large diaphragm microphones.
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SA BELT 1 B STAND SET 2Retractable Crowd Barrier Cassette Stand Set 2
The set, which includes the SA BELT 1 B crowd barrier cassette, the short Distancepole SP 1122 B and the round cast iron base WB 123, offers you as an event technician, small event organiser or retailer absolute flexibility for zoned crowd barriers, regulated visitor flow or the clarification of walkways.
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SA BELT 1 B STAND SET 1Retractable Crowd Barrier Cassette Stand Set 1
The set, which includes the SA BELT 1 B crowd barrier cassette, the MS 23 microphone stand and the MS 2 WP weight plate, offers you as an event technician, small event organiser or retailer absolute flexibility for zoned crowd barriers, regulated visitor flow or the clarification of walkways.
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SCS 19
Universal black cable holder for wall mounting
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BG SS 2 T BThe transport bag for your Traveler speaker stands
When travelling from one gig to another, whether by plane or truck, every gram counts. And you can't always rely on the concert venue having exactly the tool you need.
To ensure that you always have your Traveler speaker stand with you and that it remains protected during transport, there is the carrying bag for the Traveler SP 5112 speaker stand.
The BG SS 2 T B carrying bag from Gravity® is an extremely robust, 15 mm thick padded carrying bag for two Traveler speaker stands and is made of water-repellent 600D nylon. Your Traveler speaker stand remains protected from scratches during transport. This is ensured by a padded partition inside the transport bag. In addition, all stress points on the transport bag are extra reinforced, comfortable carrying handles and two strong zips with a common pull ensure easy handling.
Once again, Gravity® gives you a useful product to complement your stand equipment that you can rely on.
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BG SS 1 XXL B
The BG SS 1 XXL B is an extremely robust, 10 mm thick padded carrying bag for a large speaker stand with a transport length of up to 1700 mm. It is made of water-repellent 1680D nylon, which is easy to clean. The base and all of the weight-bearing points are extra reinforced, while two carrying straps with a soft Velcro handle and two strong zips with a joint pull ensure easy handling.
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BG MS PB 4 BKeep your round base microphone stands safe and secure with the BG MS PB 4 B Gravity® Transport Bag.
Designed to protect your microphone stands and round bases, this bag will keep them safe during transport and storage. The balanced weight distribution lets you carry your gear comfortably without strain.
Organisational convenience is at the heart of this bag's design. It features four separate inner pockets for each round base and four additional compartments for each pole, allowing you to keep your equipment neatly organised and easily accessible.
Its rugged, tear-resistant construction in water-repellent 1680D nylon ensures long-lasting protection even in the toughest environments.
Whether you're traveling to gigs, rehearsals, or studios, this bag is your trusted companion for keeping your round base microphone stands safe and secure.
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BG X2 RD B
Gravity® has developed the BG X2 RD B, the perfect bag for the Rapid Desk and keyboard X stands. Not only is it a robust bag made of durable and water-repellent 1680D nylon, but it also has 2 separate compartments which offer the optimal space for both the Rapid Desk and a X or double X keyboard stand.
As a result, both products are optimally protected and cannot touch each other during transport, which would usually result in unsightly scratches. In addition to the sophisticated storage and the robust materials, the bag also offers a very comfortable carrying experience, which is particularly emphasized by the adjustable shoulder strap. This means that longer distances can be easily covered on foot. An additional carrying handle, which is gentle to your hands thanks to its padding, makes the bag complete.
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SPS 823
Loudspeaker mounting fork. Steel tube combination for 2 speakers fit into all 36 mm diameter top hats, with adjustable from 310 - 490 mm.
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TWB 431 B
The large, heavy steel base from the Gravity Touring series provides a stable and secure footing. It is designed with three M20 female threads to accommodate stand poles, including off-centre positions. The base can also be used as a divider in Transflex cases.
Rubber handles make it comfortable to carry and the felt-padded feet protects the placement surface from scratches.
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MA T TH 02 SET 1
Whether it's on stage, in the studio, or at home, you_ll always have your tablet in the perfect position thanks to the MA T TH 02 SET 1.
Comprised of two top-selling Gravity stalwarts _ the MA T TH 02 and MS 23 _ this set allows you to quickly and easily position all standard tablets (which range in screen size from 7.3_ to 12.3_) exactly where you need them.
The tablet holder_s mounting mechanism is easy to assemble, and the adjustable arms ensure that your tablet is always securely and safely attached in position. The handle of the MS 23 microphone stand _ which offers smooth adjustment alongside rugged build quality _ is made of highly durable ABS and covered with a non-slip soft-touch thermoplastic coating, ensuring particularly comfortable operation.
The MA T TH 02 SET 1 is compatible with VARIWEIGHT®: Gravity_s patented stability system for secure support and easy transport using insertable weighted discs.
Once again, Gravity provides you with a useful tool to safely support your valuable multimedia equipment.
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MA T TH 02 SET 2
Whether it's on stage, in the studio, or at home, you_ll always have your tablet in the perfect position thanks to the MA T TH 02 SET 2. Comprised of two top-selling Gravity® stalwarts _ the MA T TH 02 and MS 231 HB _ this set allows you to quickly and easily position all standard tablets (which range in screen size from 7.3_ to 12.9_) exactly where you need them.
The tablet holder_s mounting mechanism is easy to assemble, and the adjustable arms ensure that your tablet is always securely and safely attached in position. In addition, the MS 231 HB offers innovative, particularly comfortable one-handed height adjustment via a non-slip ergonomic grip, making it ultra-easy to operate at any time.
The MA T TH 02 SET 2 is compatible with VARIWEIGHT®: Gravity_s patented stability system for secure support and easy transport using insertable weighted discs.
Once again, Gravity® provides you with a useful tool to safely support your valuable multimedia equipment.
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LTS T 02 B
Live performers and studio musicians are familiar with having to find a place to put their laptop, tablet or central effect unit. But also being able to move your workstation around when working at home can be helpful to ensure a quick and flexible change of scenery. The LTS T 02 B laptop stand from Gravity® offers you this possibility. Whether you're a musician, technician, photographer or stay-at-home worker, the universally applicable, flexible and very stable tray means you no longer need to worry about your work equipment.
There are many ways the large, height-adjustable tray panel, which offers enough space to accommodate all common 12 "to 17" laptops, can be used. The four adjustable retaining bolts - which can be removed if required - ensure the safe and secure positioning of laptops, tablets or compact mixers on the tray. Numerous ventilation slots enable the proper ventilation of electronics. Extra flexibility is offered by the tray panel which can be adjusted to any angle. This allows the LTS T 02 B to be used both vertically and horizontally, for example, to keep your notes visible at all times when giving a talk.
The LTS T 02 B is an extremely stylish laptop stand with a sleek look, mainly in part due to its single leg and a flat base made out of solid steel. In contrast to conventional tripods which are rarely used off stage or outside the studio due to their close resemblance to microphone and loudspeaker stands, the LTS T 02 B also cuts a fine figure at events, conferences or in offices. The height of the LTS T 02 B can be flexibly adjusted between 79 cm and 120 cm, meaning it can also be used while sitting down.
With the LTST 02 B, Gravity® offers you a universal laptop stand that's bound to win you over as a flexible portable tool for setting up mobile performance rigs in a variety of situations.
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SA 6131 B
The SA 6131 B is an elegant steel and die cast aluminium construction monitor screen mount arm. It is adjustable in all directions and features an ingenious counterbalance design for easy screen height adjustment. The integrated cable management system ensures a clean and uncluttered installation. The producer screen arm ships with desk clamp and grommet for a wide variety of secure mounting options.
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LTS 01 B SET 1
Featuring a revolutionary patented design, this laptop stand is extremely stable yet lightweight and easily portable. It accomodates all sizes from 12" to 17", controllers such as Launchpad, Maschine or Push 2 and folds to compact transport dimensions in seconds. Eccentric locking clamps facilitate quick and secure tilt adjustment of both the non-slip rubberized support and base for optimum ergonomic setup. The set includes a neoprene protection bag to protect the laptop stand from dirt and scratches.
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NS 441 W
A music stand is quick to assemble: Fold out the legs, set it up, adjust the height, then adjust the sheet music rest - that's it! If it were just that simple... Sometimes it rattles here, then the clamping screw doesn't tighten properly and the music stand slowly but surely dips backwards. And when a whole choir or a group of music school students needs to be equipped, the details of a stand construction decide whether the performance or rehearsal goes well from the start or not...
With the NS 441 W folding music stand, Gravity® has thought of all these potential pitfalls. The robust tripod construction made of solid steel stands firmly on the floor and can be locked in position quickly and easily. The highlight, however, is further up: Here you will find two clamping brackets that have been specially developed for the NS 441 W. Instead of tediously adjusting the height of the music rest with clamping screws - and then noticing that the screw connection has been overtightened and no longer grips properly - you simply lift one or both clamps, pull out the stand and push the clamps back down. Now unfold the music stand, tilt it, tighten it and you're done!
The music stand can also be folded to a particularly compact size and safely stored in the neoprene carrying bag that comes with it. This offers two advantages: firstly, it allows you to carry several stands without them getting caught in each other or slipping out of your hands. Secondly, the neoprene material is also resistant to a little rain, so that you can save yourself the tedious task of wiping the stand dry at open-air performances.
Whether at home practising, in the rehearsal room with the band, at music school or as a choir director - with the NS 441 W, Gravity® offers you a flexible and stable companion that can be set up quickly and easily.
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SMS 17 SET 1
Professional, very stable, sturdy music stand for use in bands, orchestras or on the stage.
The SLED2Pro is a compact, handy light with a patented design intended for music stands. The 4 bright and efficient LEDs can be switched individually between 2 brightness levels. Also, the light cone is adjustable thanks to the flexible 220 mm long goosenecks.
Due to its long operating time, it is also suitable as a mobile reading lamp and multifunctional clip light for all lighting needs at home and on the go.
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